Lauren Haughey

is a multidisciplinary visual artist, organiser, producer, and writer based in Dublin.  Her practice explores the cultural, technological, and ecological conditions shaping contemporary life. 

Working across performance, sculpture, installation, moving image, participatory practice, and food-based interventions, she uses research-led and process-based experimentation to investigate how stories, myths, and collective imaginaries emerge within contemporary systems of meaning. In her practice, she aims to provide a lens of enchantment and sensitivity through which to view the world, with an approach of care and curiosity.

Selected works

2026
Hotel
Something is Lost

2025
 Ad Nauseam
Creggan

2024
Source, Stream, Encryption
Infinity Point

2023
Into the Furze
Household Code

2022
Circadian Supplement
Spiders

2021
Vertical Fence

Food Art

2025-Ongoing
Hedge Scullery

2025
Sculpture Supper

2023
Kale Kultures

2023
Chleb i Sol

Event Production

 BPM

Skirmish (2021-)

Hypostasis (2023-)

Writing

2025
The Reproduction of Tiki and the Hawaiian Original

Smart Devices and the Myth of Magical Ease

Fermentation as Embodied Ecological Practice

CV

Email
Instagram

Infinity Point
Site specific installation,
Made in collaboration with Nina Fitzgerald Graham.

The installation made was constructed from two one-way mirrors facing into each other, to create an uninterrupted interplay of reflections. Over the 12hr duration of the event the shifting light levels made the mirrors impenetrable at points, reflecting the viewer back at themselves. As the evening progressed and the night grew darker, the projections took over and created a feedback loop which grew stronger, and more elaborate.

The imagery for the projection was inspired by the internet's relationship with the worldly and local - the satellite view. The video is a navigation of unit 44 through this lens, composed of clips from google maps, the stretching and glitching of the “street view”, composite panoramas exploring the 3D from this splicing of singular perspectives; close-ups tracking the cracks in the pavement.